My early interests focused primarily on the combustion of plastic materials and on the conceptual radicalization of everyday objects, alongside a post-expressionist–influenced painterly research. During this period, visual research coexisted with musical activity within the death metal project Warknife, to which I devoted most of my energy for a long time, producing two albums and performing extensively on the national live circuit. This experience deeply shaped my visual imagination and expressive approach. Since 2020, artistic practice has once again become central, shifting predominantly toward sculpture with a surrealist imprint, conceived as a tool to investigate the human experience in an emotionally intense and openly intimate way. I work intuitively with a wide range of materials—such as polymer clay, epoxy, stone, and others—combining them through a use of color influenced by ancient cultures, surrealism, and design.
