Sunrise at the Old Mill Norfolk by Paul Briggs

Paul Briggs
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Added 07 Feb 2005
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Only two colours were used, burnt sienna and burnt umber. The affects are created by using light washes of each colour and glazing over them and strengthening the colour until the correct tone was reached. Overall, giving the warmth and glow of what was a brilliant sunrise in early July.

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Kenneth Briggs 09 Jul 2007

Hi Paul. Wonderful work. Very dramatic. Inspires one to visit the places that you create. Cheers, Ken

sher richardson 24 Feb 2005

you really handle a limited palette wonderfully... misty morn also have a limited colour range.. you communicate a mood and reverence of the scene in subtle colour ranges... lovely work : )